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KALARIPAYATTU

 

Kalaripayattu is the traditional 11th century martial art form of Kerala. It is said to be the forerunner of oriental martial arts like kung-fu and karate. It follows a system as specialised and as intricate as the Ju-jitsu of the Japanese.

 

Kalari is an academy where training in all kinds of combat is given. The principles of Kalari education stipulate that training in martial arts begins with an oil massage of the body which goes on until the body is agile and supple. Feats like chattom (jumping), ottam (running), marichil (somersault) etc. are then taught, followed by lessons in the use of weapons such as the sword, the spear, the mace, the bow and arrow and so on.

 

Kalaripayattu training aims at the ultimate co-ordination of mind and body. The traditional training in a Kalari includes specialisation in indigenous medical practices too. Kalaris are also centres of religious worship. The general guidelines to be followed in Kalaripayattu demand that once the course is complete, a person should undergo oil massage and engage in the practice of the feats at least once a year. This will help him to keep in shape and to easily overcome enemy attacks.

 

 

BHARATA NATYAM

It is believed to be India’s oldest form of classical dance. This dance form which is called poetry in motion, has its hoary origins in the Natya Sastra written about 4000 B.C. by Sage Bharatha. This art form grossly disallows new fangled innovations or gimmicks except in repertoire and forms of presentation. It was originally known as ‘Dasi Attam,’ a temple art performed by young women called ‘devadasis.’

After the 16th century, this dance form went into disrepute due to economic and social conditions and became synonymous with prostitution. It was Rukmini Devi who gave it a new life and respectability. The present form was evolved in the 19th century by four Tanjore dancers, Ponniah Pillai and his three brothers.

To become proficient in Bharatha Natyam, one must be talented and extremely dedicated. It requires at least seven years of dedicated training to master the different gestures and poses and the various emotions called ‘bhavas.’ The skill of the artist in conveying the ‘bhava’ or ‘rasa’ is more important to the audience than the accompanying song.

Bharatha Natyam is commonly performed by women, but sometimes by men also. There are strict guidelines laid down regarding every single aspect of the art including the attributes required in order to be an accomplished dancer.

Arts & Dance - Kerala

Koodiyattam || Mohiniyattam || Velakali || Thiruvathirakali || Kaliyoottu

Kanniyarkali || Kavadiyattam || Kolkali || Kalaripayattu

Bharathanatyam

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